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[■■]

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[CHERYL] HEY GUYS, CHERYL HERE.

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UM, WE RECENTLY FOUND OUT THAT

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SCOTT VROOMAN...

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[CHERYL] ...USED TO BE THE HOST

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OF A KID'S TV SHOW CALLED

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"BOOFY RICE CAKES".

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[CHERYL] GOOD TITLING JOB.

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[SCOTT] BOOFY RICE CAKES?

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OH MAN.

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[CHERYL] I THOUGHT MAYBE...

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[SCOTT] I'M EMBARRASSED.

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SHOULD GET TO SEE IT.

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[SCOTT] YEAH. I HAVEN'T SEEN A

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CLIP IN, LIKE, 10 YEARS. SURE.

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[SCOTT] YEAH. THAT'D BE FUN.

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[SCOTT] HEY BOOFY. I'M HAVING A

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PRETTY HARD TIME WITH MY MATH

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HOMEWORK. ANYTHING YOU CAN DO TO

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HELP ME?

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[BOOFY] SURE THING SCOTT.

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HOW ABOUT A SONG?

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[SCOTT] (VOMITING)

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[BOOFY] HOLY F---!

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WHAT THE F--- MAN!

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[SCOTT] (VOMITING)

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[BOOFY] PUPPETS F---ING RUINED!

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[SCOTT] (VOMITING)

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[■■]

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[SCOTT] (WRENCHING)

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[SCOTT] WHERE DID YOU GET THAT?!

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[CHERYL] IT'S GOT LIKE A MILLION

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HITS ON YOUTUBE.

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(LAUGHING)

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YOU IDIOT.

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[SCOTT] THAT WAS NEVER

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BROADCAST.

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[CHERYL] OH MAN, THERE ARE SO

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MANY REMIXES.

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[SCOTT] THERE'S REMIXES?

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[CHERYL] OH, SO MANY.

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[BOOFY] SURE THING SCOTT.

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HOW ABOUT A SONG--

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[■■]

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[SCOTT] (VOMITING)

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[CHERYL] (LAUGHS)

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[SCOTT] THAT WASN'T FUNNY.

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THAT WASN'T EVEN FUNNY.

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THAT WAS JUST MEAN.

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[CHERYL] NO, MILLIONS OF YOUTUBE

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VIEWERS DISAGREE WITH YOU.

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HOT MILLIONS.

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[SCOTT] WHAT WAS THAT HAMSTER?

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THAT WASN'T...

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[CHERYL] WHAT?

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THAT WAS THE BEST PART.

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[■■]

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■CENTAURS HALF A MAN,

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HALF A HORSE, ALL INCREDIBLE■

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■CENTAURS,

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WHO'S YOUR FAVOURITE?■

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■WHO'S YOUR FAVOURITE ONE?■

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■I LIKE TREVOR,

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HE'S MYSTERIOUS■

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■AND WE BOTH LIKE JAZZ■

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■I LIKE DAVE,

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HE'S DIVIDED WRONG■

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■AND I FEEL BAD FOR HIM■

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■HIM■

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■FEEL BAD FOR HIM■

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[JOHN] OH, WHY WON'T THESE PILLS

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WORK? JUST GO TO SLEEP, JOHN.

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■WEE WILLY WINKY■

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■SLIDE DOWN MY CHIMNEY■

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[JOHN] (SINGS) AND PUT ME...

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TO... SLEEP.

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[JOHN] WEE WILLY WINKY!

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[WILLY] AND MY MINSTREL,

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THE HARPIST.

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[HARPIST] HEY.

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[JOHN] HI.

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[HARPIST] HI.

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SLEEPING, YOU KNOW?

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[JOHN] I JUST CAN'T SEEM TO

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DRIFT OFF.

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[WILLY] BUT IN SLEEP, YOU CAN

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BE...

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[WILLY] ...A BASEBALL PLAYER.

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(CHEERING)

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[WILLY] OR SOMEBODY'S ELBOW.

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(CHEERING)

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[HARPIST] OR KIDNAP A MAN.

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[JOHN] WHAT?

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[HARPIST] OR YOU COULD KIDNAP A

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MAN.

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[WILLY] WITH MY MOON-DUST,

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I PUT YOU TO SLEEP.

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(HARP)

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[WILLY] WHAT WAS THAT BACK

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THERE?

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[WILLY] THE KIDNAP THING?

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[HARPIST] I DUNNO.

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[WILLY] IT WAS KINDA CREEPY.

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[HARPIST] YEAH.

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[WILLY] YOU KNOW WE'RE WORKING,

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RIGHT?

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[HARPIST] YEAH, YEAH.

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[WILLY] LET'S GO.

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[HARPIST] YEAH, I'LL BE THERE IN

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A SEC. I'M JUST GONNA TUCK THIS

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GUY IN.

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[WILLY] YOU KNOW, IT'S WEIRD HOW

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YOU DO THAT.

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[HARPIST] YEAH, YEAH.

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[HARPIST] (SINGS) ONE DAY

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I'LL HAVE A MAN OF MY OWN.

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[WILLY] WHAT ARE YOU DOING?

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OKAY, THAT'S GOOD,

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LET'S GO NOW, PLEASE.

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[HARPIST] YEAH, I'LL BE THERE IN

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A SECOND.

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[WILLY] NO YOU WON'T.

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YOU'LL COME WITH ME.

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[HARPIST] NO, I'LL MEET YOU

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THERE.

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THERE FIRST, I'M GONNA GET THERE

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FIRST. LET'S GO NOW.

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[HARPIST] FINE, I'LL GO. GOING

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NOW.

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[WILLY] YEAH, PLEASE, I WOULD

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LIKE THAT.

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[HARPIST] LET'S GO. I'M WAITING

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FOR YOU NOW.

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[WILLY] OH, YOU'RE WAITING FOR

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ME NOW?

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[HARPIST] NOW, NOW.

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IT'S GOING NOW, NOW.

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[WILLY] YOU THINK IT'S SO...

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(FILM PROJECTOR)

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[■■]

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■BEAR DANCE■

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■BEAR, BEAR DANCE■

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■BEAR DANCE■

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■BEAR, BEAR DANCE■

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■IT'S A BEAR DANCE■

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■BEAR, BEAR DANCE■

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■JUST LIKE A SQUARE DANCE,

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BUT MORE LIKE A BEAR DANCE■

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■GET DOWN FOR THE BEAR DANCE.

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[■■]

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[SCOTT] HEY EVERYONE, I KNOW WE

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ALL HAD A GOOD LAUGH EARLIER AT

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ME IN "BOOFY RICE CAKES", AND I

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DON'T WANT TO BE A PARTY POOPER,

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BUT THOSE KINDS OF LAUGHS COME

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AT AN EXPENSE. AND THAT EXPENSE

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IS MY FEELINGS. I KNOW IT IS A

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MIRACLE THAT I--

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■--LE THAT I■

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■...AM ON TELEVISION■

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■PARTY POOPER■

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■RICE CAKES■

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■PARTY POOPER■

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■RICE CAKES■

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■I--I-I--I--I--I--I--I--I--I■

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■POO■

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■RICE CAKES■

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■I...■

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■POO...■

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■RICE CAKES■

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■I...■

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■POO...■

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■RICE CAKES■

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■I...■

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■POO...■

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■MIRACLES■

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■I...■

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■POO...■

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■MIRACLES■

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■I...■

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■POO...■

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■EVERYONE■

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■EVERYONE■

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■EVERYONE■

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[SCOTT] HOW DID THAT GET

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REMIXED?!

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[BRIAN] (LAUGHING) THAT WAS

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GREAT!

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[SCOTT] I DON'T UNDERSTAND--

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(VOMITING)

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[BRIAN] WHOA! SCOTT!

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(LAUGHING)

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[SCOTT] (VOMITING)

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ONLINE.

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■...LINE■

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■L-L-L-L-L-L-LINE■

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■I...■

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■POO■

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■I--I...■

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■WANNABE...■

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[SCOTT/CHERYL] (LAUGHING)

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BATHROOM, BUT I'LL BE RIGHT BACK

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AND I'D LOVE TO HEAR ANOTHER

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JOKE.

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[SCOTT] ABSOLUTELY.

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TONS.

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27 OF THEM.

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■WEE WILLY WINKY■

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[WILLY] HEY.

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[SCOTT] HEY, WEE WILLY WINKY,

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HARPIST.

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[HARPIST] HOW'S IT GOING?

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[SCOTT] GOOD. JUST ON A DATE.

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SLEEPING.

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[SCOTT] GUYS, THIS ISN'T MY

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BEDTIME... ANYMORE. I'M 32.

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[WILLY] IT'S LATE.

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[SCOTT] I HAVEN'T BEEN ON A DATE

219
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IN A YEAR.

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[WILLY] BUT I CAN SEE THE MOON.

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[SCOTT] LISTEN, MAN, I NEED

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THIS.

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(HARP)

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[CHERYL] WHAT--

225
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(SCREAMING)

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[WILLY] WHAT WAS THAT? YOU DON'T

227
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HAVE ANY MOON-DUST.

228
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[HARPIST] IT WAS SALT.

229
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[WILLY] YOU BLEW SALT IN HER

230
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EYES?

231
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[HARPIST] YEAH, YEAH.

232
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[WILLY] I-- I GOT A LOT OF

233
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THINKING TO DO ABOUT YOU, MAN.

234
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[HARPIST] (SINGS) ONE DAY

235
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I'LL HAVE A MAN OF MY OWN...

236
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[WILLY] CAN WE PLEASE JUST

237
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LEAVE?

238
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[HARPIST] YEAH, LET'S GO.

239
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JUST GONNA TAKE THIS SALT.

240
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USE THE SALT FOR?

241
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[HARPIST] I'M GONNA GO SALT THIS

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WAITRESS.

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[WILLY] NO YOU ARE NOT!

244
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[HARPIST] SHE GAVE ME LIP.

245
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[WILLY] SHE GAVE YOU LIP, SO

246
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YOU'RE GOING TO BLOW SALT IN HER

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EYES?

248
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[HARPIST] YEAH. I'LL CHECK 'EM

249
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OUT.

250
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[■■]

251
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■SUSAN, SUSAN■

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■SUSAN IS A LADY CENTAUR■

253
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[■■]

254
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[BILL] IT'S NOT EASY BEING A

255
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MAN. THE WEIGHT OF THE WORLD

256
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DANGLING BETWEEN YOUR LEGS.

257
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THE RESPONSIBILITY IS

258
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STAGGERING.

259
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BUSY NAKED FIGHTING.

260
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BUSY NAKED DANCING.

261
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BUSY TALKING TO LADY-CAT-BIRDS.

262
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MEN BARELY HAVE TIME TO BALANCE

263
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A CANDY DISH ON THEIR DINK

264
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ANYMORE.

265
00:11:10,447 --> 00:11:12,407
LUCKILY WE'RE NOT ALONE.

266
00:11:13,158 --> 00:11:14,159
WE'VE GOT LADIES TO HELP US.

267
00:11:15,577 --> 00:11:17,621
DISHES, THEY HELP NEGOTIATE WITH

268
00:11:18,413 --> 00:11:20,123
THE NAKED BUTCHER, THEY EVEN

269
00:11:20,832 --> 00:11:22,167
HELP PULL OFF OUR WIGS. SO BE

270
00:11:22,918 --> 00:11:24,294
KIND TO OUR LADIES, MEN. DON'T

271
00:11:24,961 --> 00:11:25,962
HOLD HER BACK. IF SHE WANTS

272
00:11:26,713 --> 00:11:28,423
FIGHT SOMEONE, LET HER AT THEM.

273
00:11:29,090 --> 00:11:30,717
AND ALSO, MAKE SURE SHE HAS

274
00:11:31,343 --> 00:11:31,843
PLENTY OF TIME IN THE

275
00:11:32,594 --> 00:11:33,845
CHANGETORIA, TO TOUCH BUMS WITH

276
00:11:34,596 --> 00:11:36,848
FRIENDS. A HAPPY LADY WILL COME

277
00:11:37,599 --> 00:11:39,309
RUSHING BACK WITH SALAD TONGS,

278
00:12:00,705 --> 00:12:01,164
[SCOTT] IS EVERYBODY HERE?

279
00:12:01,832 --> 00:12:01,873
JOSH? ARE YOU ON SPEAKER?

280
00:12:02,457 --> 00:12:02,707
[JOSH] YEAH.

281
00:12:03,500 --> 00:12:03,834
CHICAGO?

282
00:12:04,709 --> 00:12:05,710
[JOSH] OH, IT'S GREAT IF YOU

283
00:12:06,378 --> 00:12:06,461
LIKE RAIN. HA HA HA...

284
00:12:07,170 --> 00:12:07,211
[SCOTT] OKAY, WELL LET'S GET

285
00:12:07,212 --> 00:12:07,462
STARTED.

286
00:12:07,879 --> 00:12:14,469
(CHEERING)

287
00:12:15,178 --> 00:12:15,846
[SCOTT] ALAN MITCHELL WAS A

288
00:12:16,805 --> 00:12:17,681
CO-WORKER AND A SENIOR NETWORK

289
00:12:18,431 --> 00:12:19,683
ADMINISTRATOR. I THOUGHT THE

290
00:12:20,433 --> 00:12:20,976
BEST WAY TO DESCRIBE WHAT ALAN

291
00:12:21,726 --> 00:12:22,519
MEANT TO US WOULD BE TO USE HIS

292
00:12:23,228 --> 00:12:25,105
OWN WORDS. SO I CONVERTED HIS

293
00:12:25,856 --> 00:12:27,858
COVER LETTER FOR HIS RESUME INTO

294
00:12:28,650 --> 00:12:29,150
THE PAST TENSE AND THE THIRD

295
00:12:29,526 --> 00:12:30,443
PERSON.

296
00:12:31,111 --> 00:12:31,152
[SCOTT] ALAN HAD EXCELLENT

297
00:12:31,820 --> 00:12:32,654
COMMUNICATION AND INTERPERSONAL

298
00:12:33,405 --> 00:12:34,906
SKILLS. HE PROACTIVELY SOUGHT TO

299
00:12:35,615 --> 00:12:36,491
LEVERAGE HIS EXPERIENCE IN

300
00:12:37,200 --> 00:12:37,868
NETWORK ADMINISTRATION WITHIN

301
00:12:38,660 --> 00:12:38,869
THE FIELD OF BANKING AT THE

302
00:12:39,828 --> 00:12:40,912
BRANCH LEVEL. HE WAS PROFICIENT

303
00:12:41,496 --> 00:12:43,039
WITH MICROSOFT EXCEL.

304
00:12:43,790 --> 00:12:44,833
[SCOTT] AND AS WE SEE FROM THIS

305
00:12:45,542 --> 00:12:46,877
GRAPH, ALAN GAVE US SOME

306
00:12:47,711 --> 00:12:48,879
PLEASURE WHEN HE STARTED WITH US

307
00:12:49,671 --> 00:12:50,213
BACK IN 94. THIS INCREASED TO

308
00:12:50,964 --> 00:12:52,966
MUCH PLEASURE OVER TIME, AS WE

309
00:12:53,717 --> 00:12:54,759
KIND OF GOT TO KNOW HIM BETTER,

310
00:12:55,510 --> 00:12:56,553
UH, BUT AS WE SEE HERE IN THE

311
00:12:57,304 --> 00:12:58,972
CURRENT YEAR, THAT DROPS OFF

312
00:12:59,681 --> 00:13:03,310
QUITE SHARPLY UPON HIS DEATH.

313
00:13:04,060 --> 00:13:04,477
[SCOTT] ALAN ENJOYED ACRONYMS AS

314
00:13:05,186 --> 00:13:08,356
MUCH AS THE REST OF US, SO I

315
00:13:09,107 --> 00:13:10,025
MADE AN ACRONYM OUT OF HIS NAME

316
00:13:10,775 --> 00:13:12,736
THAT I THOUGHT WAS APPROPRIATE.

317
00:13:13,236 --> 00:13:13,987
[SCOTT] AVERAGE?

318
00:13:14,279 --> 00:13:15,196
LAZY?

319
00:13:15,572 --> 00:13:16,907
ARROGANT?

320
00:13:17,449 --> 00:13:20,744
NOPE.

321
00:13:21,494 --> 00:13:22,746
[SCOTT] ALAN WAS ONE OF THREE

322
00:13:23,455 --> 00:13:24,748
ALANS IN OUR OFFICE. HE WAS

323
00:13:25,457 --> 00:13:26,958
KNOWN AS ALAN NUMBER 3. AND I

324
00:13:27,709 --> 00:13:29,336
ASKED HIM ONE DAY, "ALAN, YOU

325
00:13:30,045 --> 00:13:30,921
WERE THE FIRST ALAN TO START

326
00:13:31,755 --> 00:13:31,963
WORKING HERE. WHY AREN'T YOU

327
00:13:32,672 --> 00:13:34,674
ALAN NUMBER ONE?" AND HE JUST

328
00:13:35,425 --> 00:13:38,386
SAID, "NUMBER THREE IS FINE.

329
00:13:38,803 --> 00:13:41,806
IT'S FINE."

330
00:13:42,599 --> 00:13:43,767
[SCOTT] ALRIGHT, I THINK THAT'S

331
00:13:44,142 --> 00:13:45,143
IT, SO...

332
00:13:45,894 --> 00:13:46,019
[SPEAKER PHONE] "JOSH" HAS LEFT

333
00:13:59,115 --> 00:14:00,075
[SCOTT] SORRY.

334
00:14:02,494 --> 00:14:05,038
[■■]

335
00:14:05,789 --> 00:14:06,998
[MITCH] HI, I'M MITCH LAPIERRE

336
00:14:07,666 --> 00:14:08,375
OF "LAPIERRE'S WATERBEDS

337
00:14:08,959 --> 00:14:09,960
AND OFFICE SUPPLIES".

338
00:14:10,835 --> 00:14:11,544
LADIES, ARE YOU RECENTLY

339
00:14:12,128 --> 00:14:13,380
DIVORCED, OR SINGLE?

340
00:14:14,005 --> 00:14:14,547
WHAT YOU MAY NEED IS A

341
00:14:15,215 --> 00:14:16,257
WATERBED, OR SOME OFFICE

342
00:14:16,633 --> 00:14:17,258
SUPPLIES.

343
00:14:18,009 --> 00:14:18,385
WHOA... A LITTLE TOO CLOSE...

344
00:14:18,969 --> 00:14:19,970
A LITTLE TOO... WHOA,

345
00:14:20,887 --> 00:14:22,597
BACK UP. BACK UP. BACK UP!

346
00:15:15,942 --> 00:15:19,904
[■■]

347
00:15:20,655 --> 00:15:23,074
[BRIAN/ANDY] WE WANT A GAME.

348
00:15:23,658 --> 00:15:25,201
[BILL] ALRIGHT BOYS.

349
00:15:29,956 --> 00:15:30,290
[■■]

350
00:15:30,749 --> 00:15:39,382
(POOL BALLS)

351
00:15:42,802 --> 00:15:43,428
[■■]

352
00:15:43,887 --> 00:15:49,893
(POOL BALLS)

353
00:15:50,602 --> 00:15:50,685
[MARK] NOT HOW I WOULDA DONE

354
00:15:54,981 --> 00:15:55,940
[■■]

355
00:15:56,524 --> 00:15:56,691
■HEY THERE PUPPY

356
00:15:57,317 --> 00:15:57,567
YOU'RE A CENTAUR, TOO■

357
00:15:58,193 --> 00:15:58,526
■YOU'RE A CENTAUR, TOO■

358
00:15:59,194 --> 00:16:00,528
■HEY PUPPY, THAT'S YOU!■

359
00:16:01,196 --> 00:16:01,571
■HEY PUPPY, THAT'S YOU!■

360
00:16:02,322 --> 00:16:02,489
>>WHAT THE F--- DID YOU DO TO MY

361
00:16:02,822 --> 00:16:03,073
DOG?!

362
00:16:04,616 --> 00:16:05,325
WATER ALL YOUR PLANTS BY HAND?

363
00:16:05,825 --> 00:16:06,159
[OLD MAN] YES.

364
00:16:06,910 --> 00:16:07,077
>>DON'T YOU WISH THERE WAS A

365
00:16:07,827 --> 00:16:08,286
PRODUCT THAT COULD WATER ALL

366
00:16:09,037 --> 00:16:09,454
YOUR PLANTS FOR YOU WITH THE

367
00:16:10,121 --> 00:16:11,081
SINGLE PRESS OF A BUTTON?

368
00:16:11,664 --> 00:16:12,040
[OLD MAN] YES.

369
00:16:12,791 --> 00:16:13,374
>>A PRODUCT SO SMALL IT COULD

370
00:16:13,958 --> 00:16:15,085
FIT IN YOUR POCKET.

371
00:16:15,877 --> 00:16:16,669
[OLD MAN] THAT SOUNDS VERY NICE.

372
00:16:17,253 --> 00:16:19,047
WHAT'S THE PRODUCT?

373
00:16:19,714 --> 00:16:21,424
>>ALL FOR JUST $29.99?

374
00:16:25,512 --> 00:16:28,098
(BIRDS CHIRPING)

375
00:16:28,723 --> 00:16:29,849
[OLD MAN] HELLO?

376
00:16:30,433 --> 00:16:31,976
ARE YOU STILL THERE.

377
00:16:32,519 --> 00:16:33,186
[OLD MAN] OH NO.

378
00:16:33,853 --> 00:16:35,105
WAS THIS ALL IN MY MIND?

379
00:16:36,064 --> 00:16:36,106
>>ARE YOU TIRED OF HEARING AD

380
00:16:36,856 --> 00:16:37,690
VOICES IN YOUR HEAD?

381
00:16:38,191 --> 00:16:38,608
[OLD MAN] YES.

382
00:16:39,317 --> 00:16:39,776
>>ARE TIRED OF NOT KNOWING

383
00:16:40,360 --> 00:16:40,443
WHETHER YOU'RE IN AN

384
00:16:40,902 --> 00:16:41,236
INFOMERCIAL?

385
00:16:41,820 --> 00:16:42,612
[OLD MAN] YES, I AM.

386
00:16:43,113 --> 00:16:43,321
>>ARE YOU TIRED?

387
00:16:43,822 --> 00:16:44,155
[OLD MAN] YES.

388
00:16:44,697 --> 00:16:45,115
>>ARE YOU TIRED?

389
00:16:45,657 --> 00:16:45,865
[OLD MAN] YES.

390
00:16:46,366 --> 00:16:46,407
>>ARE YOU TIRED?

391
00:16:47,033 --> 00:16:47,075
[OLD MAN] WHO'S THERE?

392
00:16:47,617 --> 00:16:47,659
>>ARE YOU TIRED?

393
00:16:47,992 --> 00:16:48,118
[OLD MAN] HELLO?

394
00:16:48,868 --> 00:16:48,910
>>ARE YOU TIRED?

395
00:16:49,828 --> 00:16:49,911
>>ARE YOU TIRED?

396
00:16:50,787 --> 00:16:50,995
>>ARE YOU TIRED?

397
00:16:51,496 --> 00:16:51,746
[OLD MAN] HUH?

398
00:16:52,288 --> 00:16:52,539
>>WHOA, MISSED ME.

399
00:16:53,081 --> 00:16:53,414
>>ARE YOU TIRED?

400
00:16:53,915 --> 00:16:54,207
[OLD MAN] OH...

401
00:16:54,958 --> 00:16:56,126
>>ARE YOU TIRED--TIRED--TIRED--

402
00:16:57,377 --> 00:16:57,418
>>I'M JUST MESSING WITH YOU.

403
00:16:57,836 --> 00:16:58,253
I'M YOUR NEW NEIGHBOUR.

404
00:16:58,753 --> 00:16:59,129
MY NAME'S KARL,

405
00:16:59,921 --> 00:16:59,963
BUT YOU CAN CALL ME--

406
00:17:00,505 --> 00:17:00,547
[DEMONIC VOICE] DARK LORD,

407
00:17:01,089 --> 00:17:01,923
JESUS, SATAN, AND EVERYTHING.

408
00:17:02,632 --> 00:17:02,757
I'M IN YOUR MIND AND I'M YOU

409
00:17:03,091 --> 00:17:03,133
NOW.

410
00:17:10,515 --> 00:17:11,015
[■■]

411
00:17:11,641 --> 00:17:12,809
[SCOTT] (VOMITING)

412
00:17:35,665 --> 00:18:07,113
(KEYBOARD)

413
00:18:07,906 --> 00:18:08,031
[CHERYL] ■YOU GOT ME CHARMED

414
00:18:08,406 --> 00:18:08,823
BABY-BOY,

415
00:18:09,532 --> 00:18:10,700
YOU'RE LIKE A PAGAN MYSTIC■

416
00:18:11,201 --> 00:18:11,534
■YOU GOT ME HOT

417
00:18:12,035 --> 00:18:12,452
UNDER THE COLLAR

418
00:18:13,077 --> 00:18:14,204
LIKE A DRAGON'S KISSES■

419
00:18:15,038 --> 00:18:16,206
■WANNA TAKE YOU FOR A RIDE

420
00:18:16,789 --> 00:18:17,832
ON A MOONLIT NIGHT■

421
00:18:18,499 --> 00:18:19,667
■ON TWO UNTANGLE STEEDS,

422
00:18:20,376 --> 00:18:21,586
YEAH, WE'LL RIDE PEGASUSES■

423
00:18:22,212 --> 00:18:22,837
■I WANNA TAKE YOU HOME

424
00:18:23,546 --> 00:18:25,215
AND CHAIN YOU TO MY RADIATOR■

425
00:18:26,132 --> 00:18:27,175
■WANNA PUT SOME EGGS INSIDE YOU

426
00:18:27,759 --> 00:18:28,885
LIKE AN INCUBATOR■

427
00:18:29,636 --> 00:18:30,637
■WHICH I KNOW SOUNDS STRANGE,

428
00:18:31,221 --> 00:18:32,305
EVEN A BIT DERANGED■

429
00:18:33,056 --> 00:18:34,307
■I'VE GOT A SERIOUS EGG FETISH;

430
00:18:34,933 --> 00:18:36,184
I'LL EXPLAIN THAT LATER■

431
00:18:36,893 --> 00:18:38,061
■I LIKE EGGS--EGGS--EGGS--

432
00:18:38,728 --> 00:18:39,938
EGGS--EGGS--EGGS--EGGS■

433
00:18:40,605 --> 00:18:41,606
■I LIKE EGGS-EGGS--EGGS--

434
00:18:42,232 --> 00:18:42,982
EGGS--EGGS--EGGS--EGGS■

435
00:18:43,691 --> 00:18:45,693
■I LIKE EGGS--EGGS--EGGS--

436
00:18:46,319 --> 00:18:47,070
EGGS--EGGS--EGGS--EGGS■

437
00:18:47,737 --> 00:18:49,239
■I LIKE EGGS--EGGS--EGGS--

438
00:18:50,073 --> 00:18:50,657
EGGS--EGGS--EGGS--EGGS■

439
00:18:51,324 --> 00:18:52,617
■I LIKE EGGS--EGGS--EGGS--

440
00:18:53,243 --> 00:18:54,244
EGGS--EGGS--EGGS--EGGS■

441
00:18:55,119 --> 00:18:56,204
■I LIKE EGGS--EGGS--EGGS--

442
00:18:56,871 --> 00:18:57,956
EGGS--EGGS--EGGS--EGGS■

443
00:18:58,498 --> 00:19:00,208
■I LIKE EGGS--EGGS

444
00:19:00,917 --> 00:19:01,209
IN FRENCH THEY'RE CALLED

445
00:19:01,626 --> 00:19:01,751
OUFFES■

446
00:19:02,418 --> 00:19:03,461
■I LIKE EGGS--EGGS--EGGS--

447
00:19:23,940 --> 00:19:24,107
(FILM PROJECTOR)

448
00:19:43,876 --> 00:19:47,463
(CAR'S ENGINE)

449
00:19:47,839 --> 00:19:51,843
(HARP)

450
00:19:52,343 --> 00:19:52,927
■WEE WILLY WINKY■

451
00:19:53,386 --> 00:19:55,555
[ANDREW] OH NO.

452
00:19:56,180 --> 00:19:56,306
■SLIDE DOWN MY CHIMNEY■

453
00:19:57,140 --> 00:20:03,688
[ANDREW] OH NO, NO, NO, NO, NO.

454
00:20:04,188 --> 00:20:04,272
[HARPIST] HEY!

455
00:20:04,856 --> 00:20:06,316
[ANDREW] OH JEEZ!

456
00:20:06,983 --> 00:20:07,025
IT'S THE HARPIST.

457
00:20:07,483 --> 00:20:07,859
[HARPIST] HEY.

458
00:20:08,526 --> 00:20:08,568
[ANDREW] WHERE'S WEE WILLY

459
00:20:08,735 --> 00:20:08,776
WINKY?

460
00:20:09,319 --> 00:20:10,653
[HARPIST] I DUNNO.

461
00:20:11,404 --> 00:20:12,155
[ANDREW] WELL, LISTEN, MY WIFE'S

462
00:20:12,864 --> 00:20:13,323
IN THE HOSPITAL, AND SHE'S

463
00:20:14,282 --> 00:20:14,407
HAVING A BABY, SO I'M TRYING TO

464
00:20:15,116 --> 00:20:15,408
GET THERE. THAT'S WHY I'M UP.

465
00:20:16,117 --> 00:20:16,159
[HARPIST] NIGHT TIME IS FOR

466
00:20:16,284 --> 00:20:18,119
SLEEPING.

467
00:20:18,786 --> 00:20:18,828
[ANDREW] I KNOW IT'S FOR

468
00:20:19,245 --> 00:20:19,537
SLEEPING. IT'S JUST THAT, I

469
00:20:20,204 --> 00:20:20,246
REALLY NEED TO GET TO THE

470
00:20:20,663 --> 00:20:20,705
HOSPITAL.

471
00:20:21,372 --> 00:20:22,790
[HARPIST] I CAN SEE THE MOON.

472
00:20:23,541 --> 00:20:23,583
[ANDREW] HARPIST, PLEASE, I AM

473
00:20:24,125 --> 00:20:25,335
DRIVING ON A HIGHWAY RIGHT NOW,

474
00:20:25,918 --> 00:20:25,960
VERY FAST, SO--

475
00:20:26,669 --> 00:20:26,711
[HARPIST] IT LOOKS LIKE GOD'S

476
00:20:27,045 --> 00:20:27,503
FINGERNAIL.

477
00:20:28,254 --> 00:20:29,339
[ANDREW] OKAY, HARPIST, PLEASE,

478
00:20:30,089 --> 00:20:30,548
I REALLY, REALLY CAN'T GO TO

479
00:20:31,090 --> 00:20:31,299
SLEEP RIGHT NOW.

480
00:20:32,091 --> 00:20:32,133
[HARPIST] I'M GONNA PUT YOU OUT.

481
00:20:32,383 --> 00:20:33,634
[ANDREW] NO. NO! DO NOT, DO NOT

482
00:20:34,177 --> 00:20:35,011
PUT ME OUT! PLEASE!

483
00:20:35,595 --> 00:20:35,636
[HARPIST] 'KAY, BYE!

484
00:20:36,054 --> 00:20:37,972
[ANDREW] DO NOT-- OHH...

485
00:20:46,356 --> 00:20:46,481
[WILLY] HEY.

486
00:20:46,981 --> 00:20:47,690
[HARPIST] HEY.

487
00:20:48,274 --> 00:20:48,483
[WILLY] WHAT'S THIS?

488
00:20:49,067 --> 00:20:49,442
[HARPIST] CAR CRASH.

489
00:20:50,151 --> 00:20:50,193
[WILLY] CAR CRASH? DID YOU DO

490
00:20:50,568 --> 00:20:50,651
THIS?

491
00:20:51,319 --> 00:20:52,362
[HARPIST] HE WAS UP LATE.

492
00:20:53,237 --> 00:20:53,279
[WILLY] I KNOW HE WAS UP LATE,

493
00:20:53,946 --> 00:20:54,364
BUT THAT DOESN'T MEAN--

494
00:20:55,114 --> 00:20:55,365
[HARPIST] YEAH, YEAH.

495
00:20:55,990 --> 00:20:56,032
[WILLY] THIS IS NOT A

496
00:20:56,491 --> 00:20:56,574
"YEAH, YEAH" SORT OF THING.

497
00:20:57,241 --> 00:20:57,283
[HARPIST] YEAH, I GET IT.

498
00:20:57,950 --> 00:20:57,992
[WILLY] DO YOU GET IT?

499
00:20:58,701 --> 00:20:58,743
[HARPIST] UH HUH. I'M JUST GONNA

500
00:20:59,327 --> 00:20:59,660
GO TUCK THIS GUY IN.

501
00:21:00,411 --> 00:21:02,288
[WILLY] NO! WHY? HE DOESN'T NEED

502
00:21:03,081 --> 00:21:03,998
TO BE TUCKED IN. WHY DID YOU DO

503
00:21:04,749 --> 00:21:05,208
THAT ANYWAY? SO YOU COULD HAVE A

504
00:21:05,750 --> 00:21:06,376
MAN OF YOUR OWN?

505
00:21:07,001 --> 00:21:09,170
[HARPIST] I DUNNO.

506
00:21:09,921 --> 00:21:10,004
[WILLY] I CANNOT BELIEVE I'VE

507
00:21:10,588 --> 00:21:10,880
PUT UP WITH THIS FOR

508
00:21:11,381 --> 00:21:11,714
A 1,000 YEARS.

509
00:21:12,465 --> 00:21:12,507
[HARPIST] I CAN'T BELIEVE I PUT

510
00:21:13,299 --> 00:21:13,383
UP WITH YOU FOR A 1,000 YEARS.

511
00:21:14,300 --> 00:21:14,342
[WILLY] OKAY, YOU KNOW WHAT?

512
00:21:14,967 --> 00:21:15,426
WE'RE DONE! FIND YOUR OWN WAY

513
00:21:15,968 --> 00:21:16,386
BACK TO DREAMLAND.

514
00:21:17,011 --> 00:21:17,053
HOW ABOUT THAT?

515
00:21:17,970 --> 00:21:18,012
BACK TO DREAMLAND. I'M GONNA

516
00:21:18,721 --> 00:21:21,682
CRASH AT MY FRIEND, TREVOR'S.

517
00:21:22,392 --> 00:21:22,433
[WILLY] YOU ARE NOT GOING TO

518
00:21:23,309 --> 00:21:23,559
CRASH AT YOUR FRIEND TREVOR'S.

519
00:21:24,268 --> 00:21:24,435
[HARPIST] OH, I'M CRASHING AT

520
00:21:24,852 --> 00:21:24,977
TREVOR'S.

521
00:21:25,728 --> 00:21:25,770
[WILLY] NO YOU'RE NOT. YOU WILL

522
00:21:26,104 --> 00:21:27,105
NOT. HE IS A BAD GUY.

523
00:21:27,730 --> 00:21:27,939
[HARPIST] TREVOR'S FUN.

524
00:21:28,648 --> 00:21:29,315
[WILLY] TREVOR IS A PERVERT.

525
00:21:30,316 --> 00:21:31,067
[WILLY] CONVICTED.

526
00:21:31,818 --> 00:21:31,859
[HARPIST] YEAH, BUT THEY HAVEN'T

527
00:21:32,151 --> 00:21:32,193
SENTENCED HIM YET.

528
00:21:32,902 --> 00:21:32,944
[WILLY] THEY HAVEN'T SENTENCED

529
00:21:33,319 --> 00:21:33,361
HIM BECAUSE THEY'RE DECIDING HOW

530
00:21:34,028 --> 00:21:34,404
MUCH TIME TO GIVE HIM.

531
00:21:35,321 --> 00:21:35,363
[HARPIST] SO UNTIL THAT DAY HE'S

532
00:21:35,822 --> 00:21:36,030
A FREE MAN.

533
00:21:36,781 --> 00:21:36,823
[WILLY] HE'S A FREE MAN LIVING

534
00:21:37,323 --> 00:21:38,241
IN A HALFWAY HOUSE, HARPIST.

535
00:21:38,950 --> 00:21:38,991
[HARPIST] ME AND TREVOR ARE

536
00:21:39,450 --> 00:21:39,909
GONNA PUT A LOT PEOPLE TO SLEEP

537
00:21:40,368 --> 00:21:45,415
THIS WEEKEND.

538
00:21:46,249 --> 00:21:46,289
[WILLY] IF I LET YOU GO GET THAT

539
00:21:46,290 --> 00:21:48,543
BODY...

540
00:21:49,293 --> 00:21:49,502
WILL YOU COME WITH ME BACK TO

541
00:21:49,919 --> 00:21:50,294
DREAMLAND?

542
00:21:51,045 --> 00:21:51,087
[HARPIST] OKAY, THANK YOU.

543
00:21:51,671 --> 00:21:51,963
THANK YOU VERY MUCH.

544
00:21:52,588 --> 00:21:52,630
[WILLY] YOU'RE WELCOME.

545
00:21:53,214 --> 00:21:53,381
[HARPIST] THANK YOU.

546
00:21:54,048 --> 00:21:54,424
[WILLY] BE QUICK, PLEASE.

547
00:21:55,216 --> 00:21:55,258
[HARPIST] I'LL BE AS QUICK AS

548
00:21:55,466 --> 00:21:56,926
I CAN. HE'S A MESS.

549
00:21:57,635 --> 00:22:48,852
[HARPIST] OH NO, HE'S IN TWO.